"Lend Me a Tenor" by Expressions Community Theater at Lakeville Arts Center

Last weekend, I went from the sublime to the ridiculous - in a good way! After spending the day at Guthrie Theater for the opening of their sublime triumph of three of Shakespeare's History Plays performed in rep, I headed out to my old home town Lakeville for Expressions Community Theater's production of Ken Ludwig's ridiculous and hilarious farce Lend Me a Tenor. I usually don't have time to see community theater, but Expressions performs in my childhood church, next door to the elementary school I attended, both of which have been converted into Lakeville Arts Center. After watching professional theater artists from around the country in an epic creation, it was also great to watch community theater actors working just as hard to create a fun (if less epic) afternoon at the theater. Moral of the story: check out your local community theater to see what they're doing, and support their work, or even get involved in a production. Our strong community theater scene feeds our professional theaters, and vice versa, and that's what makes #TCTheater great. And if you're in the South Metro, you have one more weekend to see this delightfully ridiculous play.

The History Plays: "Richard II," "Henry IV," and "Henry V" in rep at the Guthrie Theater

Once in a lifetime, if you're lucky, you'll have a chance to experience an epic theater event at your home town theater, which just happens to be one of the best respected and most highly acclaimed regional theaters in the land. That was April 13, 2024, a day I will never forget, a day in which I consumed more theater than I ever have in a single day. Some 8 1/2 hours of theater, more than seeing Tony Kushner's epic two-part Angels in America on Broadway, more than the longest day at the Minnesota Fringe Festival. Sometimes known as The Henriad, Shakespeare's Richard II, Henry IV (two plays here condensed into one), and Henry V tell the stories of three English kings in the late 14th and early 15th Centuries. But this was not some boring slog through ancient history and archaic language. It was a living, breathing, dynamic, compelling, thrilling, jaw-dropping, heart-stopping, laugh-inducing, thoroughly engaging binge-watch of some of the best plays in the English cannon, brought to life by some of our best theater artists from the Twin Cities and around the country. Each play has a somewhat different tone or look or feel, but all are cut from the same cloth so that when knit together, they form a whole much grander than the sum of its parts. If you have the financial means and physical stamina to do so, I highly recommend attending the one remaining marathon day on May 18. It's a rare shared community experience, with artists and patrons joining their energies together for some 14 hours in the same space. Or you can take in the trilogy in a more reasonable manner - see all three plays in a weekend, or more spread out over time. But if you're a #TCTheater fan (and if you're not, why are you reading this blog?), see it you must. This is something we'll be talking about for generations. Click here for details and tickets.

"Winterreise: A Winter's Journey" at The Hive Collaborative

The Hive Collaborative continues their series on concept albums with the original concept album, Austrian composer Franz Schubert's 1828 song cycle Winterreise, setting the poems of Wilhelm Müller to music. I don't think albums existed in 1828, but nevertheless, the idea of a set of songs conveying a common theme or mood did. This "Winter's Journey" is performed by baritone Justin Spenner and pianist Carson Rose Schneider in a unique collaboration with the kind of staging not usually associated with classical music. They're only doing two performances; the final one is this Saturday at 5pm, and with a runtime under 90 minutes, you'll be out in time for dinner at one of the many great St. Paul options.

"God of Carnage" at Theatre in the Round

Next up in Theatre in the Round's 73rd season: the "people behaving badly" dark comedy God of Carnage. There have been several local productions of the 2009 Tony winner, most recently by Dark & Stormy in 2022. But this play that I've called "a tightly wound, intense, darkly hilarious four-person play about what happens when our baser natures come to the surface" is worth another visit. These people don't get any more likeable, if anything the reveal of their inner natures is even more vile with each passing year, but Theatre in the Round has assembled a great cast, and their in-the-round staging brings something unique. This play shows us what happens when people say the quiet part out loud, which maybe should have stayed quiet. See it now through April 28, and be prepared to laugh, cringe, and maybe even uncomfortably see yourself a little in these people.

"I Am My Own Wife" at Lakeshore Players Theatre

Lakeshore Players Theatre's ambitious 71st season continues with perhaps the most interesting choice of the season - playwright Doug Wright's solo play I Am My Own Wife, chronicling his interviews with an East German transgender woman known as Charlotte von Mahlsdorf - antiques collector, museum curator, and gay icon. Charlotte lived through the Nazi and Communist occupations of Berlin. She provided a haven for the gay community in East Berlin during a time of persecution, but also worked as an informant for the Stasi (the Communist secret police). She was truly a singular individual, and the play explores not just her life, but also the playwright's investigation into her life, and his conflicting feelings about her complicated life.* I've previously only seen one production of this play 12+ years ago at the Jungle, and I was thrilled to revisit it. It's so smartly written, weaving Charlotte's stories, the playwright's questions, and historical facts into the storytelling. Lakeshore's production in the intimate immersive space of their black box theater features a charmingly detailed design and a tour de force performance by Lewis Youngren. Only five performances remain - don't miss your chance to see the truly impressive work happening out here in the 'burbs of White Bear Lake.

"Hecuba" by Pangea World Theater

Last month, I had the pleasure of interviewing Pangea World Theater's General Manager Adlyn Carreras and Production Manager Suzanne Victoria Cross, along with my fellow blogger Julie from Minnesota Theater Love, for our podcast Twin Cities Theater Chat (listen here or wherever you listen to podcasts). It truly was eye-opening to learn about all of the programs that this organization offers, in addition to what we traditionally think of as theater. I found them to be incredibly thoughtful and passionate about the work of community building and lifting up diverse voices. With this as their foundation, it's no wonder that the theater they create is relevant and inclusive and has something to say about our world. Such is Hecuba, a millennia old story retold by modern day Irish playwright Marina Carr, whose By the Bog of Cats, a loose retelling of Medea, was produced by Theatre Pro Rata last year. Similar to that play, this Hecuba reimagines a mythical figure as a real, flawed, relatable woman who is trying to survive in unimaginable circumstances. The history of the world is a history of war, violence (often towards women), and genocide, and unfortunately the daily news is also littered with such stories. This mythical story about the brutality of war, set at the end of the Trojan War, is all too relevant. It's a beautifully written play, and Pangea's regional premiere production features a strong cast, effective elements of physical theater, and a sparsely beautiful design set against the gorgeous backdrop of the Southern Theater, all elements combining for a powerful and sobering experience.

Toronto Theater Trip: "Rosencrantz and Guildenstern are Dead," "SIX," and The Second City

When two actors from my favorite movie(s) are performing on stage in a play by one of my favorite playwrights, I will cross international borders to see it. Last weekend I did just that, take a short two-hour flight to Toronto, Canada, to see Rosencrantz and Guildenstern are Dead starring Dominic Monaghan and Billy Boyd, aka Merry and Pippin from the Lord of the Rings trilogy. The experience more than lived up to my expectations, and I fell in love with Toronto in a too short long weekend. Turns out it's a great theater town, not just with touring productions, but also local theater companies. I also saw the global phenomenon that is SIX, which two people in my group had never seen, and the other two (myself included) loved and would see as often as possible. And then I did something I rarely am able to do at home - I saw a 10pm comedy show! What can I say, I was on vacation, and simply could not pass up the opportunity to see a performance by the legendary The Second City, even if it meant staying up way past my bedtime. We're so lucky to have such an incredible theater community here in the Twin Cities, but it's also fun to experience theater in other cities. Travel and theater are my two favorite pastimes, and Toronto is a great option for both. 

"The Lion King" Broadway tour at the Orpheum Theatre

In the summer of 1997, the stage musical adaptation of the 1994 Disney animated film The Lion King premiered in Minneapolis at the Orpheum Theatre. That fall it moved to Broadway, winning six Tony Awards (including best musical), where it is still playing - currently at number three in the list of longest running Broadway shows. The tour has come back home again, and will play at the Orpheum Theatre for about a month - through April 28. Last night was my 5th time seeing it, and still, nearly 27 years after I first saw it, it's an absolute thrill. It's without a doubt the most successful Disney movie-to-stage musical adaptation on many levels - financially, creatively, musically. The creators of the stage musical took a two-dimensional children's cartoon movie and turned it into a wholly satisfying three-dimensional spectacle of music, dance, puppetry, and story. It's a big-budget spectacle that's also uniquely beautiful and moving storytelling. As Dana said in that one episode of Sports Night - look what we can do!*

"The Color Purple" by Theater Latte Da at the Ritz Theater

Alice Walker's beloved 1982 Pulitzer Prize-winning novel The Color Purple is such an inspiring story, and one I've loved for a long time. It's had many successful adaptations - the 1985 Steven Spielberg movie, the 2005 stage musical adaptation, the 2015 Broadway revival, the recent movie musical (which is how I spent my Christmas Day last year). And now we have Theater Latte Da's version of the Broadway musical, a co-production with Geva Theatre in Rochester, NY. The visually stunning production features many fantastic performances, and all of the emotional highs and lows of this epic American story. See it at the Ritz Theater in Northeast Minneapolis now through May 5, and #bringtissues.

"Apples in Winter" at Gremlin Theatre

Food is comfort, food is family, food is community. We like to joke about what our last meal would be, listing our favorite foods. But in Gremlin Theatre's new production of the solo play Apples in Winter, it's no joke. The entire story plays out in real time as we watch a woman make an apple pie as her son's requested last meal. It's a brutal and devastating look at the effects of addiction, violence, the prison system, and the death penalty on individuals and families. Gremlin has turned their stage into a kitchen, and Angela Timberman not only gives a heart-wrenching performance, she also literally prepares and bakes a pie before our eyes (and noses). It's a triumph of performance, direction, and design that casts a mesmerizing spell that's difficult to wake up from. When the lights went down at the end of the opening night performance, there was a moment of silence and a few heavy sighs before the applause broke out. See this devastatingly beautiful play at Gremlin Theatre now through April 7.

Black and Funny Improv Festival at HUGE Theater

The 8th Annual Black and Funny Improv Festival is running this weekend only! I attended the first night and saw four improv groups perform. Not only was it a fun night of laughter (which is the norm at HUGE Theater), but it was a wonderful celebration of Black artists, Black comedy, and Black joy. The festival stresses that "Black people are centered, all are welcome," and it truly felt like that. As a White person, I felt not only welcome, but also privileged to experience and be part of this wonderful community. Laughter is healing and uniting, it builds community and companionship, it makes us forget any perceived differences we think exist between us and others. So head on down to HUGE Theater in Uptown to see some great improv by local, national, and international performers, and/or partake in comedy workshops. You can purchase tickets and find more information about the performers and workshops at the Black and Funny website. And to learn a little more about the festival, listen to our interview with festival co-directors John Gebretatose and Jada Pulley on the Twin Cities Theater Chat podcast.

"A Unique Assignment" at History Theatre

Yesterday was a special day at History Theatre. Not only did I learn about an important chapter in American history with which I was previously not very familiar, told in a compelling, well-constructed, beautifully designed and acted play, but the people who lived that history were actually there! That's one of the great things about History Theatre - they make history relevant, tangible, and real in addition to entertaining. A Unique Assignment was written by one of my favorite local playwrights, Harrison David Rivers, based on two auto-biographies: Three Years in Mississippi by James Meredith, the first Black student at the University of Mississippi, for which President Kennedy sent in troops to protect him and keep the peace, and James Meredith and the Ole Miss Riot by Henry Gallagher, a young soldier from Minnesota who was put in charge of Meredith's security detail. This may sound like a dry history lesson, but in the hands of this talented playwright, cast, and creative team, it is anything but. It's an inspiring story that's clearly and succinctly told with much humanity, emotion, and even humor. The message of standing up for equality and justice and against bigotry, hatred, and ignorance is beautifully delivered, and tragically still incredibly relevant in 2024. For these reasons and more, I highly recommend seeing A Unique Assignment at History Theatre in downtown St. Paul before it closes April 7.